Posts Tagged ‘grant roll’

Nightfall #24: “Where Do We Go From Here?”

Max Ferguson (1954)This episode holds a very special place in my heart: it was the first episode of NIGHTFALL I ever heard.

Back in 2002, I was starting to develop ideas for a horror anthology series to be produced by what would eventually become The Post-Meridian Radio Players. I was looking at examples of past shows and an on-line friend asked me if I'd ever heard of NIGHTFALL. I hadn't. So he sent me an mp3 of this episode and, at the end of 30 minutes, a nearly decade-long obsession was born.

Prior to starting my research on NIGHTFALL, I had no idea who Max Ferguson (photo left) was. All I knew was that he had written three of the creepiest episodes of the series (the other two being "Dark Side of the Mind" and "Breaking Point"). On-line searches began to turn up all sorts of information on him, but not as a writer. Apparently Max was one of the most famous (if not the most famous) radio personalities in all of Canadian history. His radio career spanned 52 years – all of it with the CBC. His repertoire consisted of dozens of character voices, the most famous of which was the old ranch hand, Rawhide. He hosted a number of shows over the years, always managing to find new satirical uses for his vocal cast.  (A page with links to a number of his hilarious sketches from the CBC Archives can be found here.)

During a 2004 phone interview, I learned how he had landed the job of writing for NIGHTFALL

Max apparently retired from CBC several times, but somehow always managed to come back. In 1980, during one of these retirement periods, CBC Head of Radio Drama, Susan Rubes, suggested he try his hand at writing. And that's how we got "Where Do We Go From Here?". (Max told me that wasn't the original title. Apparently Bill Howell had changed it. He believed his original title had been "Perchance to Dream".)

The story is narrated from the real-time point-of-view of the main character, Neville Edwards (voiced by Neil Munro, in one of his best NIGHTFALL performances), who has just been in a terrible rollover accident, though he is still very much alive. However, to the witnesses on the scene; to the ambulance attendants; to the doctors and nurses at the hospital; even to his co-workers, Neville Edwards is dead. Throughout all this, he remains in a controlled panic. He firmly believes someone will realize the truth and then he'll be saved. It's only when he's laying on the mortician's slab that his veneer truly begins to crack.

How does it turn out? Is he saved at the eleventh hour by a mortician's observant eye? You'll have to listen to find out!

(This episode is sometimes mistakenly referred to as "Living Corpse". It is believed this came about due to the circulation of recordings made from the 1983/84 CBC Enterprises audio cassette release, which lacked the Luther Kranst/Henry Ramer intro and close. This theory has not been corroborated by any official source, however.)


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Where Do We Go From Here?

Air Date: 12/12/1980
Writer(s): Max Ferguson
Production Location: CBC Toronto
Producer: Bill Howell
Featuring: Neil Munro, Colin Fox , Michael Wincott, Arch McDonnell, Grant Roll, David Calderisi, Mary Pirie, John Stocker, Corinne Langston, Gordon Thomson
Commercial Synopsis: We learn more than we wanted to know about morticians and their scruples after a not-quite fatal car crash.


If you like what you hear, please contact the CBC Shop and encourage them to release the series!

Nightfall #15: “Special Services”

Linda SorensonHere we have another story about the perils of health care, but this time it's about the dangers of private clinics. Private clinics that cater to very wealthy, very important clients. And when one of these needs an organ transplant, the donor could be anyone of us. Whether we're willing or not.

Featuring Linda Sorenson (photo left) as Diane Katten and Colin Fox as Dr. Cornell.

This is the first episode not produced by Bill Howell, but is the first of three to be produced by Paul Mills. These days Paul runs a small recording studio out of his home in an eastern suburb of Toronto.

One of the interesting points in this episode, for me, is the casual way in which the staff of the clinic go about their jobs. Their computer tells them who is a match for their important client. That person is lured to the clinic, in some cases by involving them in an accident, and the requisite organ(s) taken from them. Without their consent. After all, these clients are far more important!

The music is also one of my favorites. The piece that trails off at the end of the play is quite often used to great effect in the series. I would love to get my hands on the stock music albums they used on this show, but I can't imagine there's any way to find out what they were. I have never heard these cues used anywhere else.


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Special Services

Air Date: 10/10/80
Writer(s): Martin Kinch
Production Location: CBC Toronto
Producer: Paul Mills
Featuring: Linda Sorenson, Budd Knapp, Colin Fox, Marian Waldman, Gordon Thomson, Grant Roll
Commercial Synopsis: The premise is an elite hospital which provides organ transplants for its wealthy and powerful patients, and its donors aren't always the willing kind.  (NPR)


If you like what you hear, please contact the CBC Shop and encourage them to release the series!

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